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^b This is a remix featuring Chicago rapper Cupcakke of the 2017 single, which was also co-produced by Sophie. The production is only slightly different. The production is only slightly different. Music videos
Pages in category "Song recordings produced by Sophie (musician)" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes .
The music video for the song was the first time Sophie's voice and image were used in a release. She subsequently opened up to the press about being transgender. [51] Later in the month, Sophie also debuted in live performance, premiering newly recorded songs from Sophie's second album with vocal performances by Cecile Believe.
"Faceshopping" is a song recorded by English artist and producer Sophie featuring vocals by Cecile Believe. [1] The song was the third and final single released ahead of Sophie's full-length debut album, Oil of Every Pearl's Un-Insides. [2] [3] [4] It was considered one of the best songs of the year by Mixmag [5] and The Line of Best Fit. [6]
Before Charli XCX began her performance for Billboard’s Women in Music Awards on March 6, the Grammy-nominated singer prefaced that her heart was beating “really, really fast.” Singing an ...
YouTube Music is a music streaming service developed by the American video platform YouTube, a subsidiary of Alphabet's Google.The service is designed with an interface that allows users to simultaneously explore music audios and music videos from YouTube-based genres, playlists and recommendations.
"1, 2, 3 Dayz Up" (stylized as "1,2,3 dayz up") is a song by German singer-songwriter Kim Petras featuring English producer Sophie. It is the final of eleven singles, from 2017 to 2019, that form Petras' Era 1 project. [3] The song was produced by Sophie, Dr. Luke and Aaron Joseph, and was written by them along with Petras and Aaron Jennings ...
In a mixed review for The Guardian, Alexis Petridis praised "Bipp" and "Just Like We Never Said Goodbye" as "genuinely brilliant pop songs" but accused the rest of the album of "knackered posturing, tee-hee-it’s-meant-to-be-annoying irony, trite stuff about pop’s relationship to consumerism"; he concluded that Sophie was "sneering at" pop ...