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Timaeus suggests that since nothing "becomes or changes" without cause, then the cause of the universe must be a demiurge or a god, a figure Timaeus refers to as the father and maker of the universe. And since the universe is fair, the demiurge must have looked to the eternal model to make it, and not to the perishable one (29a).
Critias is the second of a projected trilogy of dialogues, preceded by Timaeus and followed by Hermocrates. [1] The latter was possibly never written and the ending to Critias has been lost. [2] Because of their resemblance (e.g., in terms of persons appearing), modern classicists occasionally combine both Timaeus and Critias as Timaeus-Critias ...
The following is a list of the speakers found in the dialogues traditionally ascribed to Plato, including extensively quoted, indirect and conjured speakers.Dialogues, as well as Platonic Epistles and Epigrams, in which these individuals appear dramatically but do not speak are listed separately.
Calcidius' translation of Plato's original Greek dialogue covers the sections 17a – 53c, i.e. from the Introduction where Critias discusses the story of Solon's journey to Egypt where he hears the tale of Atlantis, up to the discussion of the 'Receptacle' and the Divine Creator's use of four of the five regular solids (fire, earth, air and water) in the shaping of the Universe.
Timaeus of Locri (pronunciation in modern English / t aɪ ˈ m iː ə s /; Ancient Greek: Τίμαιος ὁ Λοκρός, romanized: Tímaios ho Lokrós; Latin: Timaeus Locrus) is a character in two of Plato's dialogues, Timaeus and Critias. In both, he appears as a philosopher of the Pythagorean school.
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The sequence of names of the three participants in these dialogues could also have a significance. The name of Timaeus is derived from the Greek word τιμάω, timaō meaning to pay honor to; the name of Critias is derived from the word κρίσις, krisis meaning judgment; and the name of Hermocrates, means gifted by Hermes, messenger of ...