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Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
Black chalk, heightened with white, framing lines in pencil and with the pen and brown ink: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W106 : Two Sitting Figures: c. 1628-1629: Black chalk: 19.3 x 14.8 cm: Museum Boijmans Van Beuningen, Rotterdam: The drawing is related to the painting W23 ...
The Four and Twenty Elders Casting their Crowns before the Divine Throne, c. 1803–5.William Blake, Tate. 354 x 293 mm.. The Four and Twenty Elders Casting their Crowns before the Divine Throne is a pencil drawing and watercolour on paper by the English poet, painter and printmaker William Blake.
The show's poster, a large black and white image of a young Chicano couple kissing, acted as a background to the impromptu car show. ... Next to each of Angel's drawings, Oriol puts a modern-day ...
Angels in Islamic art often appear in illustrated manuscripts of Muhammad's life. Other common depictions of angels in Islamic art include angels with Adam and Eve in the Garden of Eden, angels discerning the saved from the damned on the Day of Judgement, and angels as a repeating motif in borders or textiles. [21]
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]
Saint Matthew and the Angel (1602) is a painting from the Italian master Caravaggio (1571–1610), completed for the Contarelli Chapel in the church of San Luigi dei Francesi in Rome. It was destroyed in Berlin in 1945 and is now known only from black-and-white photographs and enhanced color reproductions.
Shadows & Ceremonies - a series of 36 pencil drawings and 30 oil paintings celebrating masked African and New Guinea tribal ceremonial dancers and portraits of the faces behind the masks. Passion of Christ - A series of 8 etchings and pencil drawings; Angels Without Gods - A series of 10 oil paintings and 12 pencil drawings
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