Search results
Results from the WOW.Com Content Network
Iconoclasm (from Greek: εἰκών, eikṓn, 'figure, icon' + κλάω, kláō, 'to break') [i] is the social belief in the importance of the destruction of icons and other images or monuments, most frequently for religious or political reasons.
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
During the second period of Byzantine iconoclasm, Emperor Leo V the Armenian overtured Nicaea II and reinstated Hieria. However, rather than regarding icons as idolatrous, they were merely considered superfluous, and images that were suspended high up (which could not therefore be actively venerated) were not removed.
Significant periods of iconoclasm (deliberate destruction of icons) have occurred in the history of the Church, the first major outbreak being the Byzantine iconoclasm (730-787), motivated by a strictly literal interpretation of the second commandment and interaction with Muslims who have a very strict teachings against the creation of images.
Beeldenstorm (pronounced [ˈbeːldə(n)ˌstɔr(ə)m]) in Dutch and Bildersturm [ˈbɪldɐˌʃtʊʁm] in German (roughly translatable from both languages as 'attack on the images or statues') are terms used for outbreaks of destruction of religious images that occurred in Europe in the 16th century, known in English as the Great Iconoclasm or ...
Christianity in the 8th century was much affected by the rise of Islam in the Middle East. By the late 8th century, the Muslim empire had conquered all of Persia and parts of the Eastern Roman territory including Egypt, Palestine, and Syria. Suddenly parts of the Christian world were under Muslim rule.
Map of the Byzantine Empire in 842, at the start of Theodora's reign. In order to demonstrate that Orthodoxy, just as well as Iconoclasm, could win victories for the empire, Theodora later in 853 organized an expedition to retake the island of Crete, lost some decades prior to Arab conquerors.
Like icons believed to be painted directly from the live subject, they therefore acted as important references for other images in the tradition. Beside the developed legend of the mandylion or Image of Edessa was the tale of the Veil of Veronica , whose very name signifies "true icon" or "true image", the fear of a "false image" remaining strong.