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Double consciousness is the dual self-perception [1] experienced by subordinated or colonized groups in an oppressive society.The term and the idea were first published in W. E. B. Du Bois's autoethnographic work, The Souls of Black Folk in 1903, in which he described the African American experience of double consciousness, including his own.
Each chapter begins with two epigraphs – one from a white poet, and one from a black spiritual – to demonstrate intellectual and cultural parity between black and white cultures. [92] A major theme of the work was the double consciousness faced by African Americans: being both American and black. This was a unique identity which, according ...
Describing exilic consciousness as between "both-and", and double-consciousness as "either-or", Sanders says that those who live in exile "can find equilibrium and fulfillment between extremes, whereas adherents to the latter either demand resolution or suffer greatly in the tension, as is the case with Du Bois's description of the agony of ...
Du Bois discusses the major events that shaped his politics as outlined in chapter 7: his involvement with the NAACP, the impact of the World War on Black consciousness in the United States, the significance of the Great Migration, the development of his Pan-African awareness, and the seizure of Haiti by the United States.
Du Bois’ thought in "Of the Dawn of Freedom" implied a universal exclusivity, of "color" as the greatest problem of the 20th century. The general use of the term the "color-line" however, is usually in reference to the United States, a possibility Du Bois did not acknowledge in his initial essays.
The Philadelphia Negro is a sociological and epidemiological study of African Americans in Philadelphia that was written by W. E. B. Du Bois, commissioned by the University of Pennsylvania and published in 1899 with the intent of identifying social problems present in the African American community.
The talented tenth is a term that designated a leadership class of African Americans in the early 20th century. Although the term was created by white Northern philanthropists, it is primarily associated with W. E. B. Du Bois, who used it as the title of an influential essay, published in 1903.
Repressive desublimation is a term, first coined by Frankfurt School philosopher and sociologist Herbert Marcuse in his 1964 work One-Dimensional Man, that refers to the way in which, in advanced industrial society (), "the progress of technological rationality is liquidating the oppositional and transcending elements in the “higher culture.” [1] In other words, where art was previously a ...