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Textiles generally: Anthony Mary Claret is a Catholic patron saint of textile merchants. Saint Homobonus is a Catholic patron saint of tailors and clothworkers. Saint Maurice is considered a patron saint of weavers, dyers, and clothmaking in general in Coptic Orthodoxy, Oriental Orthodoxy, the Roman Catholic Church, and the Eastern Orthodox Church.
Small fragments of textiles have been found from this period at archeological sites across Greece. [9] [page needed] These found textiles, along with literary descriptions, artistic depictions, modern ethnography, and experimental archaeology, have led to a greater understanding of ancient Greek textiles.
A chiton (/ ˈ k aɪ t ɒ n, ˈ k aɪ t ən /; Ancient Greek: χιτών, romanized: chitṓn, IPA: [kʰitɔ̌ːn]) is a form of tunic that fastens at the shoulder, worn by men and women of ancient Greece and Rome. [1] [2] There are two forms of chiton: the Doric and the later Ionic.
Ancient Greek clothing consisted of lengths of linen or wool fabric, which generally was rectangular. Clothes were secured with ornamental clasps or pins (περόνη, perónē; cf. fibula), and a belt, sash, or girdle might secure the waist. Men's robes went down to their knees, whereas women's went down to their ankles.
A peplos (Greek: ὁ πέπλος) is a body-length garment established as typical attire for women in ancient Greece by c. 500 BC, during the late Archaic and Classical period. It was a long, rectangular cloth with the top edge folded down about halfway, so that what was the top of the rectangle was now draped below the waist, and the bottom ...
The Fates shape the destiny of each human, often expressed in textile metaphors such as spinning fibers into yarn, or weaving threads on a loom. The trio are generally conceived of as sisters and are often given the names Clotho, Lachesis, and Atropos, which are the names of the Moirai, the version of the Fates who appear in Greek mythology.
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Death – the son of Night in Greek mythology - wears a black peplos and black wings. Apollo wears white, representing the sun. Admetus contrasts the black of the funeral procession with the white of the funeral procession. The corpse of Alcestis is dressed as a bride, in accordance with Greek tradition and Herakles wears a bearskin and carries ...
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