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The Black Crook (1866), which some historians consider the first modern musical [23] Around 1850, the French composer Hervé was experimenting with a form of comic musical theatre that came to be called opérette. [24] The best known composers of operetta were Jacques Offenbach from the 1850s to the 1870s and Johann Strauss II in the 1870s and ...
Classification: Theatre: Genres: Musical theatre: Composers Pages in this category should be moved to subcategories where applicable. This category may require frequent maintenance to avoid becoming too large.
This is a list of notable composers of musicals. See also List of musicals by composer. A–B. Richard Adler; Harry Akst; Lynn Ahrens; Jerome Alden; Leroy Anderson;
The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
This is a general list of composers who have written music for the musical theatre, along with their works organized by first production date. This list primarily contains musicals, but also includes links to film adaptations. Lyricists and their work are listed separately.
Jason Robert Brown (born June 20, 1970) is an American musical theatre composer, lyricist, and playwright. Brown's music sensibility fuses pop-rock stylings with theatrical lyrics. [ 1 ] He is the recipient of three Tony Awards for his work on Parade and The Bridges of Madison County .
Operetta is a precursor of the modern musical theatre or the "musical". [12] In the early decades of the 20th century, operetta continued to exist alongside the newer musicals, with each influencing the other. The distinctive traits of operetta are found in the musical theatre works of Jerome Kern, Richard Rodgers and Stephen Sondheim. [2]
At the beginning of the 20th century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. . Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced ...