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Jazz-funk is a subgenre of jazz music characterized by a strong back beat, electrified sounds, [1] and analog synthesizers.The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre that ranges from pure jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, jazz solos, and sometimes soul vocals. [2]
European free jazz: European free jazz is a part of the global free jazz scene with its own development and characteristics. 1960s -> Flamenco jazz: Flamenco jazz is a style mixing flamenco and jazz, typified by artists such as Paco de Lucia and Camarón de la Isla. 1960s -> Free funk: A combination of avant-garde jazz with funk music 1970s ...
Everything I Play is Funky is an album by jazz saxophonist Lou Donaldson recorded for the Blue Note label featuring Donaldson with Blue Mitchell, Lonnie Smith, Melvin Sparks, Jimmy Lewis and Idris Muhammad and two tracks with Eddie Williams and Charles Earland replacing Mitchell and Smith.
Soul jazz or funky jazz is a subgenre of jazz that incorporates strong influences from hard bop, blues, soul, gospel and rhythm and blues. Soul jazz is often characterized by organ trios featuring the Hammond organ and small combos including saxophone , brass instruments , electric guitar , bass, drums, piano, vocals and electric organ.
Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, [ 1 ] Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his group Spectacle and James "Blood" Ulmer .
Grooove is King is the second studio album by American jazz and funk group Rock Candy Funk Party. [1] It was released on July 31, 2015 through J&R Adventures. The album features Billy Gibbons from ZZ Top as "Mr Funkadamus".
Jazz rap (also jazz hop or jazz hip hop) is a fusion of jazz and hip hop music, as well as an alternative hip hop subgenre, [1] that developed in the late 1980s and early 1990s. AllMusic writes that the genre "was an attempt to fuse African-American music of the past with a newly dominant form of the present, paying tribute to and ...
Ron Wynn from AllMusic stated that "when words and music mesh", as on "Cantaloop (Flip Fantasia)", "Us3 show how effectively hip-hop and jazz can blend." [3] Another AllMusic editor, Stewart Mason, complimented it as "excellent" and "probably the best acid jazz single ever". [4] Larry Flick from Billboard said, "Tired of the same old urban grind?