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Shakespeare's funerary monument, Holy Trinity Church, Stratford The Shakespeare funerary monument is a memorial to William Shakespeare located inside Holy Trinity Church at Stratford-upon-Avon in Warwickshire , the church in which Shakespeare was baptised and where he was buried in the chancel two days after his death. [ 1 ]
It is also the burial place of Shakespeare's brother Edmund, along with other Elizabethan actors and playwrights. A recumbent statue of Shakespeare, created by Henry McCarthy in 1912, was placed in a niche on which was carved images of Elizabethan Southwark depicting the Globe, Winchester Palace and the tower of the church. An elaborate stained ...
Honouring individuals buried in Westminster Abbey has a long tradition. Over 3,300 people are buried or commemorated in the abbey. [1] For much of the abbey's history, most of the people buried there besides monarchs were people with a connection to the church – either ordinary locals or the monks of the abbey itself, who were generally buried without surviving markers. [2]
The crowds in the hall stood to attention and only sat once the King had done so, before the Lord Speaker followed by the Speaker of the House of Commons made a formal address to Charles.
John Weever in 1631. John Weever (1576–1632) was an English antiquary and poet. He is best known for his Epigrammes in the Oldest Cut, and Newest Fashion (1599), containing epigrams on Shakespeare, Ben Jonson, and other poets of his day, and for his Ancient Funerall Monuments, the first full-length book to be dedicated to the topic of English church monuments and epitaphs, which was ...
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
He was the Distinguished Professor of Renaissance Studies at the University of Maryland (1976–93), director of UMD's Center for Renaissance and Baroque Studies (1981–96), president of the Shakespeare Association of America, vice president of the International Shakespeare Association, and editor of the journal Renaissance Drama.
In 1970 his advice was sought by Sam Wanamaker on the setting up of Shakespeare's Globe. [2] In 1999 he was awarded the Sam Wanamaker Prize . [ 1 ] The Standing Conference of University Drama Departments's postgraduate scholarship and Bristol University's studio theatre are both named after him.
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