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In Shinto and Buddhism in Japan, an ofuda (お札/御札, honorific form of fuda, ' slip [of paper], card, plate ') or gofu (護符) is a talisman made out of various materials such as paper, wood, cloth or metal.
Yamāntaka (meaning 'terminator of Yama i.e. Death') is the wrathful manifestation of Mañjuśrī, popular within the Gelug school of Tibetan Buddhism. Other variations upon his traditional form as Mañjuśrī include Namasangiti, Arapacana Manjushri, etc. In Tibetan Buddhism, Mañjuśrī is also an yidam.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
The endless knot or eternal knot is a symbolic knot and one of the Eight Auspicious Symbols. It is an important symbol in Hinduism, Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also found in Celtic, Kazakh and Chinese ...
The English phrase "Mani Jewel" is thus in essence a translation of the Chinese term. The use of the Mani Jewel in Buddhist literature includes various magical relics such as the wish-fulfilling cintamani as well as metaphorical devices to illustrate several ideas such as Buddha-nature (Om mani padme hum) and Śūnyatā.
Date/Time Thumbnail Dimensions User Comment; current: 22:53, 21 September 2022: 1,776 × 2,368 (1.79 MB): User-duck: Cropped to reduce border and center using CropTool with lossless mode.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.