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Screen printed transfers, where the image is transferred from a paper onto the glass, was patented in the 1930s by Johnson Mattey. Firing is necessary in both methods in order for the ink to be permanently infused with the glass. [2] Printing on glass with UV pinning and curable inks came about almost 60 years later. In this method of printing ...
There are many techniques used in monoprinting, including collagraph, collage, hand-painted additions, and a form of tracing by which thick ink is laid down on a table, paper is placed on the ink, and the back of the paper is drawn on, transferring the ink to the paper. Monoprints can also be made by altering the type, color, and viscosity of ...
The principal methods of this are enamelled glass, essentially a technique for painting patterns or images, used for both glass vessels and on stained glass, and glass paint, typically in black, and silver stain, giving yellows to oranges on stained glass. All of these are fired in a kiln or furnace to fix them, and can be extremely durable ...
Tracing paper is paper made to have low opacity, allowing light to pass through. Its origins date back to at least the 1300s, when it was used by artists of the Italian Renaissance. [ 1 ] In the 1880s, tracing paper was produced en masse, used by architects, design engineers, and artists. [ 2 ]
Pontil scar on the base of a free-blown glass bowl. A pontil mark or punt mark is the scar where the pontil, punty or punt was broken from a work of blown glass.The presence of such a scar indicates that a glass bottle or bowl was blown freehand, while the absence of a punt mark suggests either that the mark has been obliterated or that the work was mold-blown.
An obvious English translation of cliché verre is "glass print", but this is usually avoided because the term has another meaning. This is a print that has been glued face down onto glass, the paper then being carefully rubbed off to leave the ink film adhering to the glass. This is then hand-coloured and framed as a decorative piece.
A heliographic copier or heliographic duplicator [1] is an apparatus used in the world of reprography for making contact prints on paper from original drawings made with that purpose on tracing paper, parchment paper or any other transparent or translucent material using different procedures.
It has often been used as a supplementary technique in stained glass windows, to provide black linear detail, and colours for areas where great detail and a number of colours are required, such as the coats of arms of donors. Some windows were also painted in grisaille. The black material is usually called "glass paint" or "grisaille paint".