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Lucas left the fireplace intact, painted it white, and incorporated layers of texture and artwork. Above the mantel, he hung a sculpture acquired through the Los Angeles antiques dealer JF Chen.
The stone fireplace in the room was copied by Allard and Sons from one in the Jacques Cœur House in Bourges. The furniture was by Gilbert Cuel. [5] The Library is in the Rococo-style. It served as both a morning room and library. The doors and bookcases, in carved walnut, were a collaboration between Allard and Cuel. [5]
Marble is one of the most expensive natural stone materials available for a fireplace surround, but the high price is reflective of the attractive appearance, excellent durability, and high level ...
Boiseries became popular in the latter part of the 17th century in French interior design, becoming a de rigueur feature of fashionable French interiors throughout the 18th century. Such panels were most often painted in two shades of a chosen color or in contrasting colors, with gilding reserved for the main reception rooms. [5]
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The apartment sits on the second floor of an 1854 townhouse in the West Chelsea historic district. Its Anglo-Italianate architectural style features ornately carved stone fireplaces and double ...
Fireplace and overmantel at Boston Manor House. Up to the twelfth century, fires were simply made in the middle of a home by a hypocaust, or with braziers, or by fires on the hearth with smoke vented out through the lantern in the roof. [1] As time went on, the placement of fireplaces moved to the wall, incorporating chimneys to vent the smoke ...
He was born on 18 February 1818 in Chippenham in a house now called Orwell house in 54-55 New Road, son of John Provis, a timber merchant and builder, and Ann Banks. He left Chippenham at an early age, and studied in London with John Wood (1801 – 1870) history and portrait painter.
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