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The Parsonage Garden at Nuenen (Dutch: De pastorie in Nuenen), alternatively named The Parsonage Garden at Nuenen in Spring (Dutch: De pastorie in Nuenen in het voorjaar) or Spring Garden (Dutch: Lentetuin: F185, JH484), is an early oil painting by 19th-century Dutch post-Impressionist painter Vincent van Gogh, created in May 1884 while he was living with his parents in Nuenen.
The most comprehensive primary source on Van Gogh is his correspondence with his younger brother, Theo.Their lifelong friendship, and most of what is known of Vincent's thoughts and theories of art, are recorded in the hundreds of letters they exchanged from 1872 until 1890. [8]
A Girl in the Street, Two Coaches in the Background Artist Vincent van Gogh Year 1882 Catalogue F13 JH179 Medium Oil on canvas on panel Dimensions 42.0 cm × 53.0 cm (16.5 in × 20.9 in) Location Villa Flora, Winterthur A Girl in the Street, Two Coaches in the Background (F13, JH179) is an oil painting by Vincent van Gogh. It is one of his very early works, painted in The Hague in August 1882 ...
Van Gogh's drawing of 87 Hackford Road. In July 1869, Van Gogh's uncle, “Cent” Van Gogh, helped him obtain a position with the art dealer Goupil & Cie in The Hague.After his training, in June 1873, Goupil transferred him to London, where he lodged at 87 Hackford Road, Brixton, [1] and worked at Messrs. Goupil & Co., 17 Southampton Street. [2]
Van Gogh depicts Adeline, rather than a photographic resemblance, with "impassioned aspects" of contemporary life through the "modern taste for color." [49] Van Gogh wrote to his brother: “Last week I did a portrait of a girl about sixteen, in blue against a blue background, the daughter of the people with whom I am staying. I have given her ...
He found the subjects noble and important in the development of modern art. Van Gogh had seen the changing landscape in the Netherlands as industrialization encroached on once pastoral settings and the livelihoods of the working poor with little opportunity to change vocation.
Van Gogh was present in Lautrec's studio when he began painting The Hangover, [23] and he continued to show interest in its development. [16] Art critic Henri Perruchot implies this was because Lautrec had borrowed elements from Van Gogh's technique of crosshatching. [22] Previously, Lautrec had used Van Gogh's technique in his Portrait of ...
Van Gogh and Gauguin: the studio of the south. Art Institute of Chicago with Rijksmuseum Vincent van Gogh, 2001. ISBN 0-500-51054-7; Galbally, Ann. A Remarkable Friendship: Vincent van Gogh and John Peter Russell. Miegunyah Press, 2008. ISBN 0-522-85376-5; Gasque, Laurel. "Gauguin: Sight and Sound". ThirdWay, Volume 12, No 4, April 1989 ...