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John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer and teacher [1] widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody ...
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Spurious; by Charles Mayer (long version). Allegretto is believed by Chopin (short version reconstruction) Military March ?? 1817 KK. Vd/4 Lost; scoring for military band not by Chopin; dedicated to the Grand Duke Konstantin Pavlovich Nocturne (No. 22) a.k.a. Nocturne oublié(e) C-sharp minor KK Anh Ia/6 A1/6 Spurious [2] Polonaises (several ...
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To some, these nocturnes are not as impressive as their predecessors, the Nocturnes, Op. 27. [2] While each piece "exemplifies one of the composer's various approaches to nocturne form," Blair Johnson felt that, in the piece, the "moments of originality and power stick out in a way that they couldn't have, had the entirety of the pieces been sewn of finer silk."
Manuscript to Nocturne Op. 27, No. 2. The Nocturnes, Op. 27 are a set of two nocturnes for solo piano composed by Frédéric Chopin. The pieces were composed in 1836 [1] and published in 1837. Both nocturnes in this opus are dedicated to Countess d'Appony. This publication marked the transition from triplets of nocturnes to contrasting pairs. [2]
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