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The Codex Escalada. Codex Escalada (or Codex 1548) is a sheet of parchment signed with a date of "1548", on which there have been drawn, in ink and in the European style, images (with supporting Nahuatl text) depicting the Marian apparition of Our Lady of Guadalupe to Juan Diego which allegedly occurred on four separate occasions in December 1531 on the hill of Tepeyac north of central Mexico ...
Our Lady of Guadalupe: The Origins and Sources of a Mexican National Symbol, by Stafford Poole; Our Lady of Guadalupe and Saint Juan Diego: The Historical Evidence, by Eduardo Chávez; Mexican Spirituality: Its Sources and Mission in the Earliest Guadalupan Sermons, by Francisco Schulte; Encyclopedia of Sacred Places, by Norbert C. Brockman
Image of the Virgin Mary Mother of God of Guadalupe (Spanish: Imagen de la Virgen María, madre de Dios de Guadalupe) published in 1648, was the first written account of the story of Our Lady of Guadalupe. It retells the events of the 1531 apparitions that led to the Marian veneration in Mexico City, New Spain.
Our Lady of Guadalupe (Spanish: Nuestra Señora de Guadalupe), also known as the Virgin of Guadalupe (Spanish: Virgen de Guadalupe), is a Catholic title of the Blessed Virgin Mary associated with four Marian apparitions to Juan Diego and one to his uncle, Juan Bernardino reported in December 1531, when the Mexican territories were part of the ...
La Rosa de Guadalupe (English title: The Rose of Guadalupe) is a Mexican anthology drama television series created by Carlos Mercado Orduña and produced by Miguel Ángel Herros. The series centers on Mexican Catholic religiosity, specifically to the Virgin of Guadalupe .
Mexican scholars of the nineteenth century posited the painting's artist as Marcos Cipac de Aquino, including Joaquín García Icazbalceta in his Carta acerca del Origen de la Imagen de Nuestra Sra. de Guadalupe (1883) and Francisco del Paso y Troncoso's Noticia del indio Marcos y de otros pintores del siglo XVI (1891).
The Virgin of Los Remedios (Spanish: La Virgen de los Remedios) or Our Lady of Los Remedios (Portuguese: Nossa Senhora dos Remédios, Spanish: Nuestra Señora de los Remedios) is a title of the Virgin Mary developed by the Trinitarian Order, founded in the late 12th century.
Behind the basilica is Camarin de la Virgen, an octagonal baroque structure (1687–1696) with the stuccoed Chamber of the Virgin and nine paintings by Luca Giordano. The jewel of this profusely ornamented hall is a throne containing the statue of the Madonna which gave the monastery its name.