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An autoharp or chord zither is a string instrument belonging to the zither family. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord. It uses a series of bars individually configured to mute all strings other than those needed for the intended chord.
In modern usage the term "zither" usually refers to three specific instruments: the concert zither (German: Konzertzither), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a fretless zither or "guitar zither"). Concert and Alpine zithers are traditionally found in ...
The guitar zither (also chord zither, fretless zither, [1] [2] mandolin zither [3] or harp zither [4]) is a musical instrument consisting of a sound-box with two sets of unstopped strings. One set of strings is tuned to the diatonic , chromatic , or partially chromatic scale and the other set is tuned to make the various chords in the principal ...
31: Instruments which consist solely of a string bearer or a string bearer with a resonator that is not integral to the instrument Subcategories This category has the following 9 subcategories, out of 9 total.
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
The Marxophone is a fretless zither played via a system of metal hammers. It features two octaves of double melody strings in the key of C major (middle C to C''), and four sets of chord strings (C major, G major, F major, and D7). Sounding somewhat like a mandolin, the Marxophone's timbre is also reminiscent of various types of hammered dulcimers.
This variety of instrument came in two basic forms, a zither that had bridges and a zither without bridges. An 1878 depiction by Settei Hasegawa of a woman playing the koto. When the koto was first imported to Japan, the native word koto was a generic term for any and all Japanese stringed instruments.
The sanjo gayageum version of the instrument has closer string spacing and a shorter length to let musicians play the faster passages required for sanjo. [2] The sanjo gayageum is now the most widespread form of gayageum. [3] All traditional gayageum use silk strings, though since the late 20th century, some musicians use nylon.
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