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The Holy Trinity is an important subject of icons in Eastern Orthodox Christianity, and has a rather different treatment from depictions in the Western Churches. There are two different types of Holy Trinity icons: the Old Testament Trinity and the New Testament Trinity (Троица Ветхозаветная and Троица ...
The crowded altarpiece depicts the Trinity, with God the Father holding a crucifix with a still-alive Jesus. Above them, in a cloud of light surrounded by cherubim, is the Holy Spirit in the form of a dove. God the Father wears an imperial crown and a wide gilt cloak, lined in green and supported by angels.
A compact diagram of the Trinity, known as the "Shield of the Trinity" consisting of God the Father, God the Son (Jesus), and God the Holy Spirit (the Shield is generally not intended to be a schematic diagram of the structure of God, but it presents a series of statements about the correlation between the persons of the Trinity)
The basic model which inspired building most Holy Trinity columns is that in the Grabenplatz, Vienna, built after the 1679 plague; [3] in this monument the column has entirely disappeared in marble clouds and colossal saints, angels and putti. The column became a site of pilgrimage during the Covid-19 epidemic. [4]
The property of divine grace in the Trinitarian mission is distinct for each person or hypostase of the Holy Trinity yet united, communing, indwelling, in Trinitarian love. All is God's gift from the Father, through the Son's Incarnation and in the gift of the Holy Spirit. [14]
The Trinity (Russian: Троица, romanized: Troitsa, also called The Hospitality of Abraham) is an icon created by Russian painter Andrei Rublev in the early 15th century. [1] It is his most famous work [ 2 ] and the most famous of all Russian icons , [ 3 ] and it is regarded as one of the highest achievements of Russian art .
In 1679, Vienna suffered one of the last great plague epidemics. Fleeing the city, the Habsburg emperor Leopold I vowed to erect a mercy column if the epidemic would end. In the same year, a provisional wooden column made by Johann Frühwirth was inaugurated, showing the Holy Trinity on a Corinthian column together with nine sculpted angels (for the Nine Choirs of Angels).
The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
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