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Madonna and Child was painted by one of the most influential artists of the late 13th and early 14th century, Duccio di Buoninsegna.This iconic image of the Madonna and Child, seen throughout the history of western art, holds significant value in terms of stylistic innovations of religious subject matter that would continue to evolve for centuries.
La Belle Jardinière, also known as the Madonna and Child with Saint John the Baptist, is a painting started by the Italian High Renaissance artist Raphael, and finished by Ridolfo del Ghirlandaio, that depicts the Madonna, a young Christ, and a young John the Baptist.
Half-length paintings of the Madonna and Child are also common in Italian Renaissance painting, particularly in Venice. The seated "Madonna and Child" is a style of image that became particularly popular during the 15th century in Florence and was imitated elsewhere. These representations are usually of a small size suitable for a small altar ...
Pages in category "Paintings of the Madonna and Child" The following 200 pages are in this category, out of approximately 314 total. This list may not reflect recent changes .
Madonna and Child is a late 1480s painting by the Italian Renaissance master Giovanni Bellini, now in the Metropolitan Museum of Art in New York [1] [2]. Unusually, the Madonna holds the viewer's attention with her gaze.
The 'Madonna and Child or Madonna with the Christ Child Blessing is a 1510 oil-on-panel painting by the Italian Renaissance master Giovanni Bellini, painted when he was already in his eighties but still responding to new developments in painting. It is similar to the 1505 Madonna del Prato (National Gallery, London) and the 1509 Madonna and ...
Madonna and Child is a c. 1460–1465 tempera painting on panel by the Italian Renaissance artist Giovanni Bellini, signed on the trompe-l'œil parapet (IO[HANN]ES B[ELLI]N[US] F.). It dates from his early phase, when he was still strongly influenced by his father Jacopo and by Andrea Mantegna.
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent [1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri) [2] in the Basilica of Saint Peter [3] and taking its theme from Genesis 3:15.
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