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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
In Hamlet, Rosencrantz and Guildenstern always appear as a pair, except in editions following the First Folio text, where Guildenstern enters four lines after Rosencrantz in Act IV, Scene 3. [1] The two courtiers first appear in Act II, Scene 2, where they attempt to place themselves in the confidence of Prince Hamlet, their
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
William Shakespeare's play Hamlet has contributed many phrases to common English, ... Hamlet Act 2, scene 2, 431–440 ... Scene 4. Hoist with his own petard ...
Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). [1] In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play.
Hamlet stabs Polonius through the curtain he is hiding behind as Queen Gertrude looks on, as part of The Closet Scene in Hamlet act 3, scene 4. [5] The phrase occurs in Hamlet act 3, scene 4, [6] as a part of one of Hamlet's speeches in the Closet Scene. [a] Hamlet has been acting mad to throw off suspicion that he is aware that his uncle ...
Hamlet, Act IV, Scene V (Ophelia Before the King and Queen), Benjamin West, 1792. In Ophelia's first speaking appearance in the play, [3] she is seen with her brother, Laertes, who is leaving for France. Laertes warns her that Hamlet, the heir to the throne of Denmark, does not have the freedom to marry whomever he wants.
The king is not without redeeming virtues, though. He is seen to be an able monarch (notwithstanding the unfavourable comparison to his murdered predecessor in Hamlet's first soliloquy) as well as a smart thinker and smooth talker, who in Act IV, Scene 5 converts Laertes from rebel to accomplice. [4]