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While living in London Eliot became acquainted with literary figures, most notably Pound in 1914, who would help publish Eliot's work and edit The Waste Land. [25] Eliot also met Aldous Huxley and Katherine Mansfield, as well as members of the Bloomsbury Group, in London in 1916, although he did not meet Leonard and Virginia Woolf until two ...
Eliot himself employed this concept on many of his works, especially on his long-poem The Waste Land. [93] Also important to New Criticism was the idea—as articulated in Eliot's essay "Hamlet and His Problems"—of an "objective correlative", which posits a connection among the words of the text and events, states of mind, and experiences. [94]
Four Quartets is a set of four poems written by T. S. Eliot that were published over a six-year period. The first poem, Burnt Norton, was published with a collection of his early works (1936's Collected Poems 1909–1935).
T. S. Eliot in 1934. In 1925, Eliot became a poetry editor at the London publishing firm of Faber & Gwyer, Ltd., [1]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922).
Pound, who was living in London in 1919, was helping Eliot revise the poem (encouraging him to delete roughly one third of the text). When Eliot proposed publishing Gerontion as the opening part of The Waste Land, Pound discouraged him: "I do not advise printing Gerontion as preface. One don't miss it at all as the thing now stands.
The following is a list of books of poetry by T. S. Eliot arranged chronologically by first edition. [Note 1] Some of Eliot's poems were first published in booklet or pamphlet format (such as his Ariel poems.)
The 1948 Nobel Prize in Literature was awarded to British-American poet Thomas Stearns Eliot (pen name, T. S. Eliot) (1888–1965) "for his outstanding, pioneer contribution to present-day poetry." [1] Eliot is the fourth British (born in the United States) recipient of the prize after John Galsworthy in 1932.
Lines 359 through 365 of T. S. Eliot's 1922 modernist poem The Waste Land were inspired by Shackleton's experience, as stated by the author in the notes included with the work. It is the reference to "the third" in this poem that has given this phenomenon its name (when it could occur to even a single person in danger).
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