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Violin– There doesn’t exist an instrument called “Gypsy violin”. Players in the style have a preference for violins with a dark tone quality from which they can draw a special sound. The listener gets the impression that he hears the aforementioned violin but that is not so. The cimbalom takes care of the harmony
Zigeunerweisen (Gypsy Airs, Spanish: Aires gitanos), Op. 20, is a musical composition for violin and orchestra written in 1878 by the Spanish composer Pablo de Sarasate. It was premiered the same year in Leipzig, Germany.
Romani music (often referred to as gypsy or gipsy music, ... Popular musical instruments in this kind of fasıl are the clarinet, violin, kanun and darbuka.
Gypsy music may refer to: Gypsy music, also known as Gypsy style, Romani-related music played in a characteristic gypsy style and Romani music, the original music of the Romani people; Gypsy jazz, jazz played by Romani people; Gypsy punk, a hybrid of Romani music and punk rock; Gypsy scale, a musical scale sometimes found in Romani music
Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
Antal Béla Babai (April 27, 1914 – October 1, 1997) was a Romani-American violinist, and interpreter of Romani music.Babai was born in Austro-Hungarian Empire and emigrated to the United States in the late 1930s, where he became famous as "The King of the Gypsy Violin".
"The Creation of the Violin" (German: Die Erschaffung der Geige) is a Transylvanian/South Hungarian Roma (gypsy) fairy tale. There are two such tales by the same title. In the tale mainly discussed here, a boy is born to a mother, who dies in childbirth, having conceived the baby by consuming the hag-witch's prescription of milk inside a pumpkin.
[1] He was a German Sinto; his music was mostly published and categorized under the contemporary names gypsy jazz or "Musik deutscher Zigeuner" (music of German gypsies). He "made this music accessible to a broad public" and made the most significant contribution to the presentation of gypsy music and jazz in Germany into a concert form. [2]