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Shidaiqu music is rooted in both traditional Chinese folk music and the introduction of Western jazz during the years when Shanghai was under the Shanghai International Settlement. In the 1920s the intellectual elite in Shanghai and Beijing embraced the influx of Western music and movies that entered through trade. [ 5 ]
The predecessor of Beijing People's Art Theater was the theater of the same name established in 1950.January 1, 1950, the People's Art Theater of Beijing was established, this is a comprehensive nature of the national theater, creative performance opera, dance, drama, music and dance program, Li Bozhao as president.
Other notable geju companies around China include the Liaoning geju yuan, based in Shenyang and others. The status of geju has been boosted by availability of new world-class venues such as the China's National Centre for the Performing Arts in Beijing ("The Big Egg" on Tiananmen Square East) and the new Shanghai Grand Theatre.
People's Republic of China: Baak Doi leaves China in 1952 and relocates to Hong Kong. Mao Zedong and CCP evolved patriotic music into revolutionary music. Hong Kong: Continuation of Shidaiqu in Hong Kong. Republic of China / Taiwan: Development of Taiwanese mandopop. Native Hokkien pop phased out by Kuomintang in favor of mandopop.
Traditional Chinese opera (traditional Chinese: 戲曲; simplified Chinese: 戏曲; pinyin: xìqǔ; Jyutping: hei3 kuk1), or Xiqu, is a form of musical theatre in China with roots going back to the early periods in China. It is an amalgamation of various art forms that existed in ancient China, and evolved gradually over more than a thousand ...
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Originating from Suzhou, it is a blend of the Chinese narrative musical traditions of pinghua and tanci, with roots tracing back to the Song dynasty and influences from Wuyue culture. [1] This art form, shaped by Pingtan artists, has garnered immense popularity in Jiangnan. Its long history has provided a solid foundation for development.
Mandopop or Mandapop refers to Mandarin popular music.The genre has its origin in the jazz-influenced popular music of 1930s Shanghai known as Shidaiqu; later influences came from Japanese enka, Hong Kong's Cantopop, Taiwan's Hokkien pop, and in particular the campus folk song folk movement of the 1970s. [1] "