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Art Nouveau posters and graphic arts flourished and became an important vehicle of the style, thanks to the new technologies of color lithography and color printing, which allowed the creation of and distribution of the style to a vast audience in Europe, the United States and beyond. Art was no longer confined to art galleries, but could be ...
Poster by Frances MacDonald (1896). The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain.
The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [ 1 ]
The term Art Nouveau was first used in the 1880s in the Belgian journal L'Art Moderne to describe the work of Les Vingt, twenty painters and sculptors seeking reform through art. The name was popularized by the Maison de l'Art Nouveau ('House of the New Art'), an art gallery opened in Paris in 1895 by the Franco-German art dealer Siegfried Bing.
Ornament and traditional styles were demoted. Although Mackintosh has been counted as a pioneer of modernism, his work always retained a decorative sensibility and features ornament. Mackintosh took his inspiration from his Scottish upbringing and blended them with the flourish of Art Nouveau and the simplicity of Japanese forms.
The pattern is especially clear in post-Roman European art, where the highly ornamented Insular art of the Book of Kells and other manuscripts influenced continental Europe, but the classically inspired Carolingian and Ottonian art largely replaced it. Ornament increased over the Romanesque and Gothic periods, but was greatly reduced in Early ...
The final chapter, titled 'Leaves and Flowers from Nature' acknowledges the underlying principle that dictates the design of ornament around the world, which is the form found in nature: "in the best periods of art, all ornament was based upon an observation of the principles which regulate the arrangement of form in nature" and that "true art ...
Wallpaper was often made in elaborate floral patterns with primary colors (red, blue, and yellow) in the backgrounds and overprinted with colours of cream and tan. This was followed by Gothic art inspired papers in earth tones with stylized leaf and floral patterns.