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  2. 1650–1700 in Western fashion - Wikipedia

    en.wikipedia.org/wiki/1650–1700_in_Western_fashion

    Susanna Huygens wore a long, tight white satin bodice with paned sleeves lined in pink and a matching petticoat. Her hair is worn in a mass of tight curls, and she wears pearl eardrops and a pearl necklace, 1667–69. Portrait of Barbara Villiers, mistress of King Charles II, painted by John Michael Wright, c. 1670 in the romantic style.

  3. Conservation and restoration of ivory objects - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Ivory has been manipulated since prehistoric times and as a material has been used in religion, as jewelry, piano keys, decorative arts, and other products. The demand for ivory has caused specific animals to become endangered, including the African and Asian Elephant. Ivory is a coveted material throughout Europe, Africa, and Asia that is ...

  4. Conservation and restoration of bone, horn, and antler objects

    en.wikipedia.org/wiki/Conservation_and...

    For example, "ivory is dentine—the part of the tooth that is covered by enamel." [1] Ivory is tooth material, meaning "it is usually whiter, harder, denser, and heavier than bone," [2] which has a spongy central portion that ivory does not. Moreover, "ivory, which has multiple layers, is more dense than bone or antler and is more likely to ...

  5. Conservation and restoration of movable cultural property

    en.wikipedia.org/wiki/Conservation_and...

    Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.

  6. Why Barbara Bush kept her hair white [Video] - AOL

    www.aol.com/news/reason-barbara-bush-kept-hair...

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  7. Victorian jewellery - Wikipedia

    en.wikipedia.org/wiki/Victorian_jewellery

    The practice of using hair as mourning jewellery forms part of the Victorian relic culture. The idea of incorporating hair strands into jewellery is a method of materialising the mourning process. Hair is incorporated into jewellery as a memento, considering it is the only part of the body that does not change or decay after death. [7]

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