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The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
He is considered to have initiated the so-called sao style of verse, which is named after his work "Li Sao," in which he abandoned the classic four-character verses used in poems of Shi Jing and adopted verses with varying lengths. This resulted in poems with more rhythm and latitude in expression.
The "Lord of the East" ("Dong Jun") poem number 7 of the Nine Songs, illustrated version reprint from 1645. "Xiang River Goddesses" (Xiang Jun), poem number 3 of 11 in the Nine Songs section, in an annotated version of Chu Ci, published under title Li Sao, attributed to Qu Yuan and illustrated by Xiao Yuncong.
Chu Ci begins with "Li Sao", a poem which assumes biographical material about Qu Yuan with his relationship with the person of King Huai, ruler of Chu. Critics historically often interpret the "Li Sao" as political allegory, yet religious and mythological aspects arise, which derive from the culture of Chu.
[4] [5] The martyrs in the Dare to Die Corps who died in battle wrote letters to family members before heading off to certain death. The Huanghuakang was built as a monument to the 72 martyrs. [ 6 ] The martyrdom of the revolutionaries helped the establishment of the Republic of China , overthrowing the Qing dynasty imperial system.
This is a list of the sections and individual pieces contained within the ancient poetry anthology Chu Ci (traditional Chinese: 楚辭; simplified Chinese: 楚辞; pinyin: chǔ cí; Wade–Giles: Ch'u Tz'u), also known as Songs of the South or Songs of Chu, which is an anthology of Classical Chinese poetry verse traditionally attributed to Qu Yuan and Song Yu from the Warring States period ...
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The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...