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John Lee Hooker was an American blues singer and guitarist who recorded from 1948 to 2001. His discography includes recordings issued by various record companies in different formats. His discography includes recordings issued by various record companies in different formats.
The Ultimate Collection (1948–1990) is a 1991 compilation album by John Lee Hooker. In 2003, the album was rated 375 on the Rolling Stone's "500 Greatest Albums of All Time", [ 4 ] and 377 in a 2012 revised list.
It should only contain pages that are John Lee Hooker albums or lists of John Lee Hooker albums, as well as subcategories containing those things (themselves set categories). Topics about John Lee Hooker albums in general should be placed in relevant topic categories .
John Lee Hooker (August 22, 1912 [1] or 1917 [4] [5] – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper , he rose to prominence performing an electric guitar-style adaptation of Delta blues that he developed in Detroit .
Hooker 'n Heat is a double album released by blues musician John Lee Hooker and the band Canned Heat in early 1971. It was the first of Hooker's albums to chart, reaching number 78 in the Billboard charts. Hooker plays unaccompanied on side one and "Alimonia Blues"; on the remainder of side two and "The World Today" and "I Got My Eyes on You ...
The Ultimate Collection (John Lee Hooker album) This page was last edited on 6 June 2023, at 21:52 (UTC). Text is available under the Creative Commons Attribution ...
Endless Boogie is a studio album by American blues musician John Lee Hooker, released in 1971 through ABC Records.Produced by Bill Szymczyk and Ed Michel, the double album was recorded at Wally Heider Recording with session musicians such as Jesse Ed Davis, Carl Radle, Steve Miller, Gino Skaggs and Mark Naftalin.
Don't Look Back is an album released by blues singer-songwriter John Lee Hooker in 1997 that was co-produced by Van Morrison and Mike Kappus. [3] Van Morrison also performed duets with Hooker on four of the tracks. [4] The album was the Grammy winner in the Best Traditional Blues Album category in 1998.
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