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University of Michigan Museum of Art [15] Odalisque à la culotte rayée, reflectée dans la glace: 1923 Lithograph on paper 63.82 cm x 47.63 cm Ann Arbor University of Michigan Museum of Art [16] Dancer, from the series Ten Dancers (Dix Danseuses) 1925–26 Lithograph on paper 32.7 cm x 50.48 cm Ann Arbor University of Michigan Museum of Art [17]
Henri Émile Benoît Matisse (French: [ɑ̃ʁi emil bənwa matis]; 31 December 1869 – 3 November 1954) was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship.
The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions.Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right.
The Back Series is a series of four bas-relief sculptures, by Henri Matisse. They are Matisse's largest and most monumental sculptures. The plaster originals are housed in the Musée Matisse in Le Cateau-Cambrésis, France. They were modeled between 1909 and 1930.
The Musée Matisse in Nice is a municipal museum devoted to the work of French ... 95 photos, 57 sculptures and 14 books illustrated by Matisse, 187 objects that ...
The Cone sisters collected pieces from throughout Matisse's painting career, accumulating 42 of his oil paintings, 16 sculptures, 35 drawings, 150 prints, and a half dozen books of illustration, as well as over 200 hand drawings, art prints, and illustrated copper plates from Matisse's first published book of illustration, Poésies de Stéphane ...
Bathers with a Turtle by Henri Matisse in 1907-1908 Henri Matisse. The painting reworks elements from Matisse's 1897 work The Desert. [1] While that work was in an Impressionist style, the intense colors of the later painting are more consistent with Fauvism. The red of the room contrasts with the dark green of the landscape depicted outside ...
Le Bateau caused a minor stir when the Museum of Modern Art, New York, which housed it, hung the work upside-down for 47 days in 1961 until Genevieve Habert, a stockbroker, noticed the mistake and notified a guard. Habert later informed The New York Times, which in turn notified Monroe Wheeler, the museum's art director. As a result, the ...
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