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Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
A musical phrase from the act 1 trio of The Marriage of Figaro (where Basilio sings Così fan tutte le belle) was later reused by Mozart in the overture to his opera Così fan tutte. [40] Mozart also quotes Figaro's aria "Non più andrai" in the second act of his opera Don Giovanni.
Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte: 3 soprano, 1 tenor, 1 baritone, 1 bass, chorus 26 January 1790 Burgtheater, Vienna K.588 Score Libretto: 1790 Der Stein der Weisen (The Philosopher's Stone) (Pasticcio composed with J. B. Henneberg, F. Gerl, B. Schack and E. Schikaneder ...
Mozart: "Grand Scherzo," based on the Finale to Act I of Cosi fan tutte (2009) Rachmaninoff: "Vocalise" (2009) Fantasy on The Last Rose of Summer (2008) "Irish Tune from County Derry", arranged for piano, four-hands from the Grainger version for solo piano (2008) Debussy: Clair de lune (arranged for piano, six-hands) (2007) Khachaturian: Sabre ...
Così fan tutte is a 178-minute studio album of Wolfgang Amadeus Mozart's opera, performed by Jules Bastin, Philippe Huttenlocher, Kiri Te Kanawa, David Rendall, Frederica von Stade and Teresa Stratas with the Choeurs de l'Opéra du Rhin and the Strasbourg Philharmonic Orchestra under the direction of Alain Lombard. It was released in 1978.
The overture begins with a thundering D minor cadence, followed by a short misterioso sequence which leads into a light-hearted D major allegro. The garden of the Commendatore. Leporello, Don Giovanni's servant, grumbles about his demanding master and daydreams about being free of him ("Notte e giorno faticar" – "Night and day I slave away ...
Il turco in Italia (English: The Turk in Italy) is an opera buffa in two acts by Gioachino Rossini.The Italian-language libretto was written by Felice Romani.It was a re-working of a libretto by Caterino Mazzolà set as an opera (with the same title) by the German composer Franz Seydelmann [] in 1788.
In 1857, it was transformed into an opera-ballet, but this did not hold the stage. The overture is one of Auber's most popular. The first-act finale expands on the final phrases from the first-act finale of Mozart's Così fan tutte. The composer tried to reflect the Chinese setting of the story in the music.