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The beginning of the 20th century saw a struggle between old schools and modernist trends. The Week of Modern Art festival, held in São Paulo in 1922, was received with fiery criticism by conservative sectors of the society, but it was a landmark in the history of Brazilian art. It included plastic arts exhibitions, lectures, concerts, and the ...
Not all the participants in the Modern Art Week were modernists, like Graça Aranha from Maranhão, one of the speakers at the event. The movement wasn't dominant from the start, but over time it replaced its predecessors through its freedom of style and approach to spoken language. [6] Didactically, Modernism is divided into three phases.
[1] [2] Throughout the modern age, Brazil began to define itself as a county in its architecture. This was done so with the help of Brazil's most famous architect and designer, Oscar Niemeyer. He designed the Edificio Copan in São Paulo, one of Brazil's biggest cities, and the entire city of Brasilia.
In the historiography of Luso-Brazilian art, the same issues also affect us, since some traditional references use the terms 'Renaissance' and 'post-Renaissance' to define the appearance of numerous works from the 16th century in Portugal, as well as that of the oldest surviving works in Brazil, especially the stonework and carved altars ...
Manaus was the first Brazilian capital to receive electricity. Financed by rubber, the Belle Époque of the Northern region began in 1871, mainly centred on the cities of Belém (capital of the state of Pará) and Manaus (capital of the state of Amazonas), known as the Paris of the Tropics or Paris n'America, and was a period marked by intensive modernization of both cities.
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The Baroque style would flourish within the religious culture of the country and would remain predominant until the first decades of the 19th century. In the 19th century, sculptural activity decreased, but it later revived when both the government and the public took a new interest in the art.
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