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After the episode's release, Marvel released a poster for the episode, featuring Ultron and the Watcher together with a quote from the episode. [24] Marvel also announced merchandise inspired by the episode as part of its weekly "Marvel Must Haves" promotion for each episode of the series, including apparel, accessories, and a Funko Pop based ...
The animation style is consistent across these episodes, [28]: 4 with Bradley noting that Marvel was "trying to use the color palette, the lighting, [and] the character design to tell as much story as you can" like they do in live-action films, [32] adjusting the camera and color palettes between each episode.
It is the fourth television series in the Marvel Cinematic Universe (MCU) from Marvel Studios, the first animated series from the studio, and the first series produced by Marvel Studios Animation. The series explores alternate timelines in the multiverse that show what would happen if major moments from the MCU films occurred differently.
Marvel Animation Inc. [4] is an American animation production company. It was incorporated on January 25, 2008, to direct Marvel's efforts in animation and home entertainment markets. The incorporated Marvel Animation included then ongoing animation efforts by Marvel Studios with Lionsgate and Nickelodeon.
He was an uncredited storyboard artist on the feature film Terminator Salvation and is a director on the second (yet un-aired) animated TV show The Avengers for Marvel and Starz. In 2009, he co-directed the direct-to-video sequel to Happily N'ever After at Vanguard Animation alongside Boyd Kirkland .
The Fantastic Four is an American animated television series produced by Hanna-Barbera Productions and based on the Marvel Comics superhero team of the same name. [1] The program, featuring character designs by Alex Toth, [2] originally aired on Saturday mornings on ABC from September 9, 1967, to September 21, 1968.
In December, Marvel Studios Animation head Brad Winderbaum officially announced the animated series as Eyes of Wakanda, as part of a sizzle reel of the studio's 2024 series. [13] Coogler and Proximity Media were confirmed to be involved in the animated series, [14] [15] and a showrunner was involved by then. [16]
Animation for the episode was provided by SDFX Studios, [25] with Scott Wright serving as head of animation. [26]: 30:02 Andrews developed the series' cel-shaded animation style with Ryan Meinerding, the head of visual development at Marvel Studios.