Search results
Results from the WOW.Com Content Network
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Disturbing the peace by playing loud music in the night is a criminal offense, typically a misdemeanor. [2] The exact definition of what constitutes a loud music violation varies by location, either at a certain volume (measured in decibels) or the distance from the source at which the music can be heard.
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
The horizontal axis shows frequency in Hertz. In acoustics, loudness is the subjective perception of sound pressure.More formally, it is defined as the "attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud". [1]
In music, "noise" has been variously described as unpitched, indeterminate, uncontrolled, convoluted, unmelodic, loud, otherwise unmusical, or unwanted sound, or simply as sound in general. The exact definition is often a matter of both cultural norms and personal tastes.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The next would be a slightly louder C ♯ 4 and a slightly quieter C ♯ 5; the next would be a still louder D 4 and a still quieter D 5. The two frequencies would be equally loud at the middle of the octave (F ♯ 4 and F ♯ 5), and the twelfth tone would be a loud B 4 and an almost inaudible B 5 with the addition of an almost inaudible B 3 ...