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The lining of paintings is a process of conservation science and art restoration used to strengthen, flatten or consolidate oil or tempera paintings on canvas by attaching a new support to the back of the existing one. The process is sometimes referred to as relining. Most often a new support will be added directly to the back of an existing ...
The support for an oil painting can be either rigid or flexible, both providing certain opportunities and challenges for the artist. In order to get both the stability and the desired texture, painters for finished paintings usually use canvas that are pre-stretched on a solid frame or panel [3] (so-called stretchers usually made of stretcher ...
Mummy portrait of a girl, AD 120–150, Roman Egypt, wax encaustic painting on sycamore wood. Encaustic is a method of painting that involves dry pigments mixed with hot beeswax, then applied to the surface of a support such as wood or canvas. A completed painting is then finished by taking a source of heat to reheat the surface and fuse it ...
A frame before and after treatment. The conservation and restoration of painting frames is the process through which picture frames are preserved. Frame conservation and restoration includes general cleaning of the frame, as well as in depth processes such as replacing damaged ornamentation, gilding, and toning. The purpose of painting frames ...
Custom strainers or inner panelings that are fit to the painting and secured with screws, therefore offering strength to the painting and allowing hanging devices to be attached without damaging a painting. [24] Cradling – Cradling refers to the addition of wooden supports or frames on the back of paintings. These slats require flexibility to ...
A restored gesso panel representing St. Martin of Tours, from St. Michael and All Angels Church, Lyndhurst, Hampshire. Gesso (Italian pronunciation:; 'chalk', from the Latin: gypsum, from Greek: γύψος), also known as "glue gesso" or "Italian gesso", [1] is a white paint mixture used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate ...
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It allows the canvas weave to "roll over" the profile rather than snap over a sharp edge which is a major cause of canvas cracking. [3] It also increases the surface area of the frame, which reduces its friction with the canvas. This will make it easier to pull the canvas and make it more taut. [4]
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