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4: PD Backdoor progression (front door is V7) ii– ♭ VII I: 3: Major Bird changes: I vii ø –III7 vi–II7 v–I7, IV7 iv– ♭ VII7 iii–VI7 ♭ iii– ♭ VI7, ii V7 I–VI7 ii–V: 20: Major Chromatic descending 5–6 sequence: I–V– ♭ VII–IV: 4: Mix. Circle progression: vi–ii–V–I: 4: Major Coltrane changes: Coltrane ...
Finally, she met him at the door when the "den was dark" suggesting her husband had left. [1] Toward the end of the song, it is implied that he and the woman had sex. [ 2 ] There was a significant change to the first verse when Harry performed live—the album "Greatest Stories Live" Is an example of this, where the second and fourth lines of ...
Huey Lewis & The News. Huey Lewis – lead vocals, harmonica; Mario Cipollina – bass; Johnny Colla – rhythm guitar, saxophone, backing vocals; Bill Gibson – drums, percussion, backing vocals; Chris Hayes – lead guitar, backing vocals; Sean Hopper – keyboards, backing vocals; Additional personnel. Marvin McFadden – trumpet (4–7, 10 ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The dominant preparation is a chord or series of chords that precedes the dominant chord in a musical composition. Usually, the dominant preparation is derived from a circle of fifths progression. The most common dominant preparation chords are the supertonic , the subdominant , the V7/V , the Neapolitan chord (N 6 or ♭ II 6 ), and the ...
A mixed third chord, also split-third chord, [6] includes both the major and minor thirds (e.g. C–E ♭ –E ♮ –G), although the thirds are usually separated by an octave or more. [4] A minor chord above a major chord of the same root has a diminished octave (major seventh) separating the thirds and is more common, while a major chord ...
The Andalusian cadence (diatonic phrygian tetrachord) is a term adopted from flamenco music for a chord progression comprising four chords descending stepwise: iv–III–II–I progression with respect to the Phrygian mode or i–VII–VI–V progression with respect to the Aeolian mode (minor). [1] It is otherwise known as the minor ...
[1] [2] The song is composed in 4 4 time and the key of E minor, with a moderately fast tempo of 140 beats per minute and a chord progression of C–Em/Bm 7 –D. It incorporates clusters of background harmonies and is filled with twinkling glockenspiel tinkles. [1] [3] Styles' vocals range from D 3 to B 4. [4]