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Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
Sō Shiseki. "Flowers and Birds in the Snow" 1765. Hanging scroll; color on silk. Kobe City Museum. Sō Shiseki (宋 紫石, 1715 – 9 April 1786 [1]) was a Japanese painter of the Nagasaki and Nanpin schools . Originally from Edo, he spent some time in Nagasaki, where he studied under the Chinese painter Song Ziyan, who was known as Sō ...
To create his monochrome paintings in diluted greys and black ink, Sesshū used black sumi, meaning charcoal or soot-based solid ink on paper or silk, thus following the art of sumi-e [8] Some of Sesshū's most acclaimed works include Winter Landscape (c. 1470s), Four Landscape Scrolls of the Seasons (c. 1420 – 1506) and, Birds and Flowers (c ...
The mogu bird-and-flower motif experienced a resurgence through Yun Shouping's works and school of art. [2] Yun Shouping was initially a landscape painter, but he was reportedly so impressed by the works of the artist Wang Hui that he abandoned his training in favor of flower, animal, and insect paintings. [1]
Martin Johnson Heade. Martin Johnson Heade (August 11, 1819 – September 4, 1904) was an American painter known for his salt marsh landscapes, seascapes, and depictions of tropical birds (such as hummingbirds), as well as lotus blossoms and other still lifes. His painting style and subject matter, while derived from the romanticism of the time ...
Bird and flower oil painting became Huang Yue's signature genre and art focus in 2000. [3] Before that, most depictions of bird and flower in both east and west paintings were mostly either still life or as background of portrait paintings, or drawn in their innate nature status.
He specialized in bird-and-flower painting, and was influenced by Bian Jingzhao and Lü Ji. His works were painted in a very realistic style, and he had many students and patrons. Shen was invited to Japan by a high official. He arrived in Nagasaki in the final month of 1731 with two students, acquiring many Japanese students after his arrival ...
During the period of the Five Dynasties and Ten Kingdoms period, a painter named Huang Quan (黄筌) from Former Shu significantly developed the techniques in bird-and-flower painting, especially in painting trees and flowers, and his painting was called as the fine-sounding name Mogu Huazhi (沒骨花枝). [citation needed]
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