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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi.
The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue, and is in fact often depicted as ...
The star and crescent symbol used in the minted coins of the Sassanian Empire from the 3rd century until the 7th century. This coin was coined under Ardashir III. The Adoration of the Magi by Stephan Lochner; on the left, the crescent and star is depicted in the flag of representatives of Byzantium. The conjoined representation of a crescent ...
The Ecumenical Patriarchate and Mount Athos, and also the Greek Orthodox Churches in the diaspora under the Patriarchate use a black double-headed eagle in a yellow field as their flag or emblem. The eagle is depicted as clutching a sword and an orb with a crown above and between its two heads. [1] An earlier variant of the flag, used in the ...
The Byzantine army was the primary military body of the Byzantine armed forces, serving alongside the Byzantine navy. A direct continuation of the Eastern Roman army, shaping and developing itself on the legacy of the late Hellenistic armies, [ 1] it maintained a similar level of discipline, strategic prowess and organization.
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. [5] In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty. [6]
The medieval Christian flags with different kinds of crosses (Latin, Templars, St. John's or arrow-head cross', St. Andrew's or saltire, 'nailed", etc.) linked the knights with the church. It was a religious symbol of Christian 'holy wars' or crusades which invigorated and united the enemies of Islam.