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Byzantine flags and insignia. For most of its history, the Eastern Roman (Byzantine) Empire did not use heraldry in the Western European sense of permanent motifs transmitted through hereditary right. [1] Various large aristocratic families employed certain symbols to identify themselves; [1] the use of the cross, and of icons of Christ, the ...
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi.
The Ecumenical Patriarchate and Mount Athos, and also the Greek Orthodox Churches in the diaspora under the Patriarchate use a black double-headed eagle in a yellow field as their flag or emblem. The eagle is depicted as clutching a sword and an orb with a crown above and between its two heads. [1] An earlier variant of the flag, used in the ...
The Byzantine army was the primary military body of the Byzantine armed forces, serving alongside the Byzantine navy. A direct continuation of the Eastern Roman army, shaping and developing itself on the legacy of the late Hellenistic armies, [ 1] it maintained a similar level of discipline, strategic prowess and organization.
Eagle abaissé. The depiction of the heraldic eagle is subject to a great range of variation in style. The eagle was far more common in continental European —particularly German —than English heraldry, and it most frequently appears Sable (colored black) with its beak and claws Or (colored gold or yellow).
The result was the red flag with the white crescent moon and star, which is the precursor to the modern flag of Turkey. A plain red flag was introduced as the civil ensign for all Ottoman subjects. The white crescent with an eight-pointed star on a red field is depicted as the flag of a "Turkish Man of War" in Colton's Delineation of Flags of ...
The color Byzantium is a particular dark tone of purple. It originates in modern times, and, despite its name, it should not be confused with Tyrian purple ( hue rendering ), the color historically used by Roman and Byzantine emperors. The latter, often also referred to as "Tyrian red", is more reddish in hue, and is in fact often depicted as ...
Byzantine mosaics went on to influence artists in the Norman Kingdom of Sicily, in the Republic of Venice, and, carried by the spread of Orthodox Christianity, in Bulgaria, Serbia, Romania and Russia. [5] In the modern era, artists across the world have drawn inspiration from their focus on simplicity and symbolism, as well as their beauty. [6]