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According to the Natya Shastra, a rasa is a synthetic phenomenon and the goal of any creative performance art, oratory, painting or literature. [11] [12] Wallace Dace translates the ancient text's explanation of rasa as "a relish that of an elemental human emotion like love, pity, fear, heroism or mystery, which forms the dominant note of a dramatic piece; this dominant emotion, as tasted by ...
The title of the text is composed of two words, "Nāṭya" and "Shāstra". The root of the Sanskrit word Nāṭya is Nata (नट) which means "act, represent". [12] The word Shāstra (शास्त्र) means "precept, rules, manual, compendium, book or treatise", and is generally used as a suffix in the Indian literature context, for knowledge in a defined area of practice.
The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing Rasa in classical Indian dance form is referred to as Rasa-abhinaya. The Nātyasāstra carefully delineates the bhavas used to create each ...
Shanta Rasa. Śāntarasa (Sanskrit: शान्तरस, occasionally spelled shantarasa, santarasa; transl. the imaginative experience of tranquility, emotion of emotionlessness) [1][2] is considered as a ninth rasa, a concept of aesthetic flavour in Sanskrit literature. According to translation of Abhinavabhārati, Abhinavagupta 's ...
Sthayibhava or Sthyi-bhava ( Sanskrit: स्थायिभाव — IAST Sthāyibhāva, transl. Stable emotion, durable psychological state) is one of the essential artistic concepts in Sanskrit dramaturgy. The origin of this concept is attributed to Bharata while formulating his epic on Rasa theory in Natyashastra around 200 BC to 200 AD. [ 1]
Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, [1][2][3] the theory and practice of which can be traced to the Sanskrit text Natya Shastra. [4][5][6] The number of Indian classical dance styles ranges ...
The Nāṭya Śhāstra is notable as an ancient encyclopedic treatise on the performing arts, which has influenced dance, music and literary traditions in India. [1] It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is the desired effect of performance arts but not the primary goal and that the primary goal is to transport the individual in the audience into ...
Abhinaya (Sanskrit abhi- 'towards' + nii- 'leading/guide') is the art of expression in Indian aesthetics. More accurately it means "leading an audience towards" the experience (bhava) of a sentiment (rasa). The concept, derived from Bharata Muni 's Natya Shastra, is used as an integral part of all Indian classical dance styles.