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For women, wearing a dressing gown was a break from tight corsets and layers of petticoats. Ladies wore their dressing gowns while eating breakfast, preparing for the day, sewing or having tea with their family. [2] Dressing gowns continued to be worn into the 20th century with similar garments like hostess dresses, robes, and peignoirs being used.
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period.
The nightgown was a "version of a modern dressing gown" and tended to be worn around the house or to occasions when formal attire was not necessary. This garment was actually a Banyan, a T-shirt shaped robe adopted by the British from India but became known as a "nightgown", dressing gown or "morning gown" in the early 1700s due to its casual ...
' undressed '), is a form of see-through clothing for women consisting of a sheer, usually long, dressing gown. [1] It is a form of nightgown intended for wear at night and in the bedroom. It was introduced in France in the 18th century, where it mimicked the heavy head-to-toe style of women's day dresses of the time.
In Colonial America, women most often wore a gown and petticoat, in which the skirt of the gown opened to reveal the petticoat underneath. [38] Women also had riding habits which consisted of the petticoat, jacket and a waistcoat. [38] French fashion regarding dresses became very fast-changing during the later part of the 18th century. [39]
A daring new fashion arose for having one's portrait painted in undress, wearing a loosely fastened gown called a nightgown over a voluminous chemise, with tousled curls. The style is epitomized by the portraits of Peter Lely , which derive from the romanticized style originated by Anthony van Dyck in the 1630s.
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