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  2. Creative synthesis - Wikipedia

    en.wikipedia.org/wiki/Creative_synthesis

    A major manifestation of creative synthesis is the concept of heterogony of ends. Heterogony of ends is the development of new motives during the series of events. [ 6 ] There is an exchange of motives in our immediate experience and it defines the social behaviors that are engaged in as well as, the cognitive reaction to the world that occurs.

  3. Sound Blaster 16 - Wikipedia

    en.wikipedia.org/wiki/Sound_Blaster_16

    Starting in late 1995, Creative utilized a cost-reduced, software-compatible replacement for the OPL-3 FM support termed CQM synthesis. [5] However, its synthesis was far from being entirely faithful to the OPL-3 chips, producing considerable distortion along with high-pitched 'squeaking' or 'ringing' artifacts in FM-synthesized music and sound ...

  4. Comparison of audio synthesis environments - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_audio...

    Software audio synthesis environments typically consist of an audio programming language (which may be graphical) and a user environment to design/run the language in. Although many of these environments are comparable in their abilities to produce high-quality audio, their differences and specialties are what draw users to a particular platform.

  5. Sound Blaster - Wikipedia

    en.wikipedia.org/wiki/Sound_Blaster

    A year later, in 1988, Creative marketed the C/MS via Radio Shack under the name Game Blaster.This card was identical in every way to the precursor C/MS hardware. Whereas the C/MS package came with five floppy disks full of utilities and song files, Creative supplied only a single floppy with the basic utilities and game patches to allow Sierra Online's games using the Sierra Creative ...

  6. Sound Blaster AWE32 - Wikipedia

    en.wikipedia.org/wiki/Sound_Blaster_AWE32

    The card was sold with software for building custom SoundFonts. All of Creative's subsequent cards, other than the Sound Blaster PCI64/128 series, support SoundFonts. On the initial release, Creative promoted the EMU8000 as a waveguide physical modelling synthesis engine, due to its ability to work with delay lines.

  7. E-mu Systems - Wikipedia

    en.wikipedia.org/wiki/E-mu_Systems

    In 1993, E-mu was acquired by Creative Technology (the Singaporean parent company of Creative Labs) and began working on PC sound card synthesis. Creative Wave Blaster II and Sound Blaster AWE32 used EMU8000 effect processor. In 1996, E-mu attempted to break into the digital multi-track market with the Darwin 8-track hard disk recording system. [9]

  8. CeVIO - Wikipedia

    en.wikipedia.org/wiki/CeVIO

    Carter (CCS), Carter is developed by XING Inc. His name was found in CeVIO Creative Studio's files and he was listed as a male English Song bank. The details of his cancellation are unknown. Yuri (CCS), is a female vocal for CeVIO Creative Studio capable only of singing used in the "Copy & Loid" game. [citation needed]

  9. Synthesis - Wikipedia

    en.wikipedia.org/wiki/Synthesis

    Convergent synthesis or linear synthesis, a strategy to improve the efficiency of multi-step chemical syntheses Dehydration synthesis , a chemical synthesis resulting in the loss of a water molecule Biosynthesis , the creation of an organic compound in a living organism, usually aided by enzymes