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Various styles of traditional drums are used in folk music, dance and theater of Karnataka Dollu Kunitha is also danced by women. This is a group dance named after the dollu used in its performance, and performed by the men of the Kuruba Gowda community. The group consists of 16 dancers, each wearing a drum and playing different rhythms while ...
A Yakshagana artist. Percussion instruments of Karnataka being played at Janapada Loka. Karnataka, a southern state in India, has a distinct art style and culture informed by a long history of diverse linguistic and religious ethnicities. Apart from Kannadigas, Karnataka is home to Tuluvas, who also consider
Carnatic music (known as Karnāṭaka saṃgīta or Karnāṭaka saṅgītam in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha.
Yakshagana is a traditional theatre, developed in Dakshina Kannada, Udupi, Uttara Kannada, Shimoga and western parts of Chikmagalur districts, in the state of Karnataka and in Kasaragod district in Kerala that combines dance, music, dialogue, costume, make-up, and stage techniques with a unique style and form.
This is a list of Carnatic instrumentalists: musicians famous for playing the carnatic music of South India. Musicians are listed by the instrument they have played. Musicians are listed by the instrument they have played.
The chande is a drum used in the traditional and classical music of South India and particularly in Yakshagana theatre art of Karnataka. It follows the Yakshagana Tala system. The rhythms are based on pre-classical music forms that Karnataka Sangeta and Hindustani Sangeetha are based on. [1]
Musical instruments of the Indian subcontinent can be broadly classified according to the Hornbostel–Sachs system into four categories: chordophones (string instruments), aerophones (wind instruments), membranophones (drums) and idiophones (non-drum percussion instruments).
They were proficient singers and composers and used classical music and the Kannada language as a medium to propagate the teachings and philosophy of the Dvaita school. While Sripadaraya is sometimes credited with starting this musical movement, Purandaradaasa, a disciple of Vyaasasraaya, became renowned as Karnataka Sangita Pitaamaha. [1]