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Footsies (also footsy or footsie) is a flirting game where two people touch feet under a table or otherwise concealed place, often as a romantic prelude. It is a game played either as an act of flirtatious body language , or simply for enjoyment.
The victim succumbs, but the woman accompanying him manages to bludgeon the creature to death. A necklace, adorned with uncut diamonds worth some $500,000, is found on its corpse. Denae Chambers hires the C&C Salvage Company, run by grizzled Cort Eastman and cynical Eddy Colchilde, to find more of the gems.
Footsie may refer to: "Footsee", a seminal dance-track from the mid-1970s UK Northern soul scene; Footsie, a playful form of flirting with feet; Foot selfie, a photograph taken of one's own feet; FTSE 100, the UK share index, informally known as the "Footsie" Footsie, a grime MC and record producer, one half of the East London duo Newham Generals
Traces of Death is a 1993 American mondo film that consists of various scenes of stock footage depicting death and real scenes of violence.. Unlike the earlier Faces of Death which usually included fake deaths and reenactments, Traces consists mostly of actual footage depicting death and injury, and consists also of public domain footage from other films.
A mid-credits scene features Goldar sitting in Lord Zedd's throne with Mordant serving him fruit, only for both to panic when Zedd and Rita Repulsa reappear, having been released after Ivan Ooze's death. 1996 Forbidden City Cop: A collection of bloopers and outtakes runs during the end credits. The Hunchback of Notre Dame
"Footsee", credited to Wigan's Chosen Few, was a British hit single in 1975, reaching number 9 on the UK Singles Chart. [1] It is notable as being one of the first commercially successful remixes of a previously released recording.
The film was followed by two sequels, Death Scenes 2 from 1992 [2] and Death Scenes 3 from 1993. [3] Death Scenes 2 provides an inside look at the history of death, particularly war between the United States and other foreign conflicts. A short introduction of the horrors of war begins with the ideological findings from Ernst Friedrich (1894-1967).
Peter Normanton rated the film 5/5 stars and called the pace "breathtaking". Normanton wrote that the film sacrifices plot for creative death scenes, but the low budget can cause the special effects to look "a tad farcical". [9] Glenn Kay wrote that "there isn't one iota of suspense or terror" and that the film is dull and pedestrian. [10]
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