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"Beat the Clock" is a 1979 song by the American pop and rock duo Sparks. Produced by famed disco producer Giorgio Moroder, it was released as the fourth single from the band's eighth studio album No. 1 in Heaven. The song peaked at number 10 in August 1979 and spent six weeks in the UK Singles Chart. [1]
Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; [1] their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references [2] —and an idiosyncratic, theatrical stage presence, typified by ...
A Steady Drip, Drip, Drip is the 24th studio album by American rock group Sparks.Recorded in gaps between Sparks' film projects, the album uses a full rock-group format to draw on the band's full range of musical styles and was universally acclaimed by critics, who praised both its lyrical and melodic content.
Released in March 1979 by Virgin Records (with initial copies on colored vinyl) and later licensed to Elektra Records in the US, Nº 1 in Heaven renewed interest in the band after disappointing sales of the preceding albums Big Beat (1976) and Introducing Sparks (1977). It is the band's only album on Elektra, the fourth label that the band was ...
A music video made to accompany the single featured Ron Mael in drag doing a striptease dance performance in a Los Angeles nightclub while Russell lip syncs the lyrics to the song. The music video is sometimes erroneously credited to David Lynch, [4] but the book Talent is an Asset: The Story of Sparks credits the video to be done by Steve and ...
Caitlin Clark became the fastest player in WNBA history to reach 100 3-pointers in a season and finished with 24 points, 10 rebounds and 10 assists for her second career triple-double as the ...
Sparks re-recorded the song in 1997, one version of which featured vocals by Jimmy Somerville and orchestrations by Tony Visconti. This version peaked at number 70 in the UK, but was slightly more successful on the U.S. Billboard Dance Chart where it became a top 30 hit.
Taylor Swift is the ultimate girl's girl. Between Super Bowl box seats and surprise mid-concert cameos, the songstress spends a considerable amount of time with her friends by her side — friends ...