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'Move It on Over' hits right home, 'cause half of the people he was singing to were in the doghouse with the ol' lady." [8] "Move It on Over" was Williams' first major hit, reaching #4 on the Billboard Most Played Juke Box Folk Records chart and got him a write up in The Alabama Journal. The revenue generated by the song was the first serious ...
Ukulele Songs is the second solo studio album by American singer and Pearl Jam frontman Eddie Vedder. It was released on May 31, 2011. [ 1 ] The album is composed of original songs and new arrangements of several standards.
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
Move It On Over may refer to: "Move It On Over" (song), a 1947 song by Hank Williams; Move It On Over, a 1978 album by George Thorogood & The Destroyers, named ...
Flea Market Music was founded in 1992 by Jim Beloff and his wife, Liz Beloff, to publish music books for the ukulele community. [2] [3] A guitarist for many years, Jim bought a used Martin ukulele at a flea market and later left his job with Billboard Magazine to make a full-time career of promoting the ukulele.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Move It On Over is the second studio album by American blues rock band George Thorogood and the Destroyers. It was released in 1978 by the label Rounder Records. The album peaked at No. 33 on the Billboard 200 chart, [1] and was on the chart for 47 weeks. [2] The album contains all cover material.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...