Search results
Results from the WOW.Com Content Network
Knight and Day (Original Motion Picture Soundtrack) is the album consisting of the film score composed by John Powell for the 2010 satirical action comedy film Knight and Day directed by James Mangold, starring Tom Cruise and Cameron Diaz. The soundtrack was released through Varèse Sarabande on June 24, 2010.
This section repeats and is followed by a descending harmonic sequence starting with a -7 ♭ 5 (half diminished seventh chord or Ø) built on the augmented fourth of the key, and descending by semitones—with changes in the chord quality—to the supertonic minor seventh, which forms the beginning of a more standard II-V-I progression.
This is an accepted version of this page This is the latest accepted revision, reviewed on 26 January 2025. 2010 film by James Mangold For other uses, see Night and Day (disambiguation). Knight and Day Theatrical release poster Directed by James Mangold Written by Patrick O'Neill Produced by Cathy Konrad Todd Garner Steve Pink Starring Tom Cruise Cameron Diaz Peter Sarsgaard Viola Davis Jordi ...
One common tone, two notes move by half step motion, and one note moves by whole step motion. Resolution in Western tonal music theory is the move of a note or chord from dissonance (an unstable sound) to a consonance (a more final or stable sounding one). Dissonance, resolution, and suspense can be used to create musical interest.
Night and Day is a 1946 American musical film, a fictionalized account of the life of composer and songwriter Cole Porter. Starring Cary Grant as Porter, the film was directed by Michael Curtiz and produced by Arthur Schwartz, with Jack L. Warner as executive producer. The screenplay was written by Charles Hoffman, Leo Townsend, and William Bowers.
Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.
Other songs from the same period also used the tune. The same notes form the bridge in the "Hot Scotch Rag", written by H. A. Fischler in 1911. [citation needed] An early recording used the seven-note tune at both the beginning and the ending of a humorous 1915 song, by Billy Murray and the American Quartet, called "On the 5:15".
A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create more movement." [4] "'Inbetween chords' that help you get from one chord to another are called passing chords." [5] For example, in the simple chord progression in the key of C Major, which goes from Imaj7/iii7/ii7/V7 ...