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You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
"I Shall Sing" is a song written by Northern Irish singer-songwriter Van Morrison. Morrison recorded it as part of the Moondance album sessions, but did not initially release the track. It was released on CD in 2013. [1] The song was also recorded by Art Garfunkel for his debut solo album, Angel Clare, released by Columbia Records in 1973.
"May the Good Lord Bless and Keep You" is a popular song by Meredith Willson, originally published in 1950. The song is now considered a standard, recorded by many artists. It was used as Tallulah Bankhead's theme song for her NBC radio program, The Big Show. Bankhead would recite the words in her husky voice, with guest stars joining in ...
"You Keep Running Away" is a Holland-Dozier-Holland composition originally recorded in 1967 by the Four Tops. [1] The song appears on their 1971 LP Four Tops Greatest Hits Vol. 2 . Billboard described the single as a "solid easy heat rocker that moves from start to finish has all the ingredients for another chart topper."
The song was written by Dylan and produced by Tom Wilson. The song is a humorous talking blues, indebted to earlier songs including Lead Belly's "We Shall Be Free". Dylan opens the song by proclaiming that he is normal and average, but then acknowledges his reputation by singing the self-aware doggerel "Yippee! I'm a poet, and I know it/ Hope I ...
Crawdaddy! gave the album a very positive review: "Running Jumping Standing Still is one of the most unique and underrated albums of the folk boom, perhaps the only psychedelic ragtime blues album ever made. It brims over with boisterous energy and stellar playing, driven by John Koerner’s distinctive guitar work and Willie Murphy’s dynamic ...
According to the 1997 music score, [2] Hailstork composed this piece in memory of Undine Smith Moore. [1] The instrumentation includes a flute, oboe, B flat clarinet, bassoon, F horn, C trumpet, trombone, timpani, strings, and percussionist.