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Barbara Ellen Rose (June 11, 1936 – December 25, 2020) was an American art historian, art critic, curator and college professor. Rose's criticism focused on 20th-century American art , particularly minimalism and abstract expressionism , as well as Spanish art .
Expressionist architecture was individualistic and in many ways eschewed aesthetic dogma, [6] but it is still useful to develop some criteria which defines it. Though containing a great variety and differentiation, many points can be found as recurring in works of Expressionist architecture, and are evident in some degree in each of its works:
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas.
American Figurative Expressionism is a 20th-century visual art style or movement that first took hold in Boston, and later spread throughout the United States. Critics dating back to the origins of Expressionism have often found it hard to define.
Abstract expressionism has many stylistic similarities to the Russian artists of the early 20th century such as Wassily Kandinsky. Although it is true that spontaneity or the impression of spontaneity characterized many of the abstract expressionists' works, most of these paintings involved careful planning, especially since their large size ...
World of Art (formerly known as The World of Art Library) is a long established series of pocket-sized art books from the British publisher Thames & Hudson, comprising over 300 titles as of 2021. [3] The books are typically around 200 pages, but heavily illustrated.
In 1961 Art and Culture, Beacon Press, a highly influential collection of essays by Clement Greenberg was first published. Greenberg is primarily thought of as a formalist art critic and many of his most important essays are crucial to the understanding of Modern art history, and the history of modernism and Late Modernism. [20]
Nineteenth-century movements of Post-Impressionism , Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting. Die Brücke strove for emotional Expressionism.