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In addition to Leblanc clarinets, the G. Leblanc Corporation started importing brasswinds and saxophones made by the French firms Courtois and Beaugnier, respectively, branded "Leblanc." Leblanc's most distinctive saxophones at the time were its Model 100 and 120 "System" saxophones, the latest iteration of instruments designed by G. Leblanc ...
Holton became the supplier for Leblanc's Vito line of student-line brasswinds and (briefly) saxophones in 1951. Leblanc acquired Holton in 1964 and phased out the Collegiate saxophone line in favor of their Vito-branded instruments. [13] The Collegiate brand for brasswinds was terminated in 1980.
Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of France. To meet high demand, Leblanc USA started to manufacture clarinets ...
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G F (on request) E♭ B♭ Fratelli ...
Conn-Selmer kept Leblanc in production of clarinets but ended their brasswind production in 2007, discontinuing their Martin brand and moving production of their Holton brand to Elkhart, Indiana. Conn-Selmer retains the North American importation and distribution rights for Selmer (Paris) and Yanagisawa Wind Instruments formerly held by H.
His first complete clarinet in B ♭, which was distributed by Leblanc and Conn-Selmer under the label "Leblanc by Backun". [ 3 ] [ 4 ] During the partnership with Conn-Selmer and Leblanc from 2006 to 2010, Backun developed new clarinets [ 5 ] and continued to develop accessories for international distribution, which expanded the Backun brand ...
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The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.