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As a biblical reference, the metaphor may refer to physical armour worn by God in metaphorical battles, or it may refer to vigilant righteousness in general as bestowed by the grace of God (Romans 13:12, King James Version): "The night is far spent, the day is at hand: let us therefore cast off the works of darkness, and let us put on the ...
An early example of the miles christianus allegory in a manuscript of the Summa Vitiorum by William Peraldus, mid 13th century.The knight is equipped with a detailed Armour of God, including an early depiction of the Shield of the Trinity, and he is crowned by an angel holding the gloss non coronabuntur nisi qui legitime certaverint "none will be crowned but those who truly struggle" and in ...
But take, to arm you for the fight, the panoply of God; That, having all things done, and all your conflicts passed, Ye may o'ercome through Christ alone and stand entire at last. Stand then against your foes, in close and firm array; Legions of wily fiends oppose throughout the evil day. But meet the sons of night, and mock their vain design,
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
This presence or consciousness varies, but it is first and foremost always associated with a reuniting with divine love, the underlying theme being that God, the perfect goodness, [2] is known or experienced at least as much by the heart as by the intellect since, in the words 1 John 4:16: "God is love, and he who abides in love abides in God ...
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
The hand of God appears in the early 14th-century Haggadah, the Birds' Head Haggadah, produced in Germany. [39] Two hands of God appear underneath the text of the Dayenu song, dispensing the manna from heaven. The Birds' Head Haggadah is a particularly important visual source from the medieval period, as it is the earliest surviving example of ...
But images of God the Father were not directly addressed in Constantinople in 869. A list of permitted icons was enumerated at this Council, but images of God the Father were not among them. [17] However, the general acceptance of icons and holy images began to create an atmosphere in which God the Father could be depicted. [citation needed]