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The Triumph of Neptune and Amphitrite (or Birth of Venus) by Nicolas Poussin, painted in 1635 or 1636, is a painting housed in Philadelphia in the Philadelphia Museum of Art. [1] It is in oil on canvas (114,4 x 146,6 cm) and shows a group of figures in the sea near a beach, with putti flying over their heads.
Frontal view of the statue in its current location in room 30 of NAMA ( in the background) The Poseidon of Melos (Ancient Greek: Ποσειδῶν τῆς Μήλου) is a statue of Poseidon in the National Archaeological Museum, Athens (NAMA), with an inventory number 235, which is dated to the last quarter of the second century BC, thus to the Hellenistic Period.
Poseidon had a famous temple praised by Homer in the Catalogue of Ships, [62] with the surname Helikonios. ... Black-figure vaise painting by Amasis Painter, 540 BC.
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
The following list of art deities is arranged by continent with names of mythological figures and deities associated with the arts. Art deities are a form of religious iconography incorporated into artistic compositions by many religions as a dedication to their respective gods and goddesses.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. [1] It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.
The famous and distinctive style of Greek vase-painting with figures depicted with strong outlines, with thin lines within the outlines, reached its peak from about 600 to 350 BC, and divides into the two main styles, almost reversals of each other, of black-figure and red-figure painting, the other colour forming the background in each case ...
The painting depicts an anecdote about the ancient Greek courtesan Phryne, told by Athenaeus in his Deipnosophistae, in which Phryne bathes in the sea at Eleusis, thus inspiring the painter Apelles to paint his Aphrodite Anadyomene. In the painting, Phryne is shown standing nude, her face shaded by a parasol.