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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
An answer song, response song or answer record is a song (usually a recorded track) made in answer to a previous song, normally by another artist. The concept became widespread in blues and R&B recorded music in the 1930s to the 1950s.
"That's How Much I Love You" is a country music song written by Arnold, Fowler, and Hall, sung by Eddy Arnold, and released in 1946 on the RCA Victor label (catalog no. 20-1948-A). In October 1946, it reached No. 2 on the Billboard folk chart. [3] It was also ranked as the No. 10 record on the Billboard 1946 year-end folk juke box chart. [4]
Other chord qualities such as major sevenths, suspended chords, and dominant sevenths use familiar symbols: 4 Δ 7 5 sus 5 7 1 would stand for F Δ 7 G sus G 7 C in the key of C, or E ♭ Δ 7 F sus F 7 B ♭ in the key of B ♭. A 2 means "add 2" or "add 9". Chord inversions and chords with other altered bass notes are notated analogously to ...
"Don't You Know How Much I Love You" is a song written by Michael Stewart and Dan Williams, and recorded by American country music artist Ronnie Milsap. It was released in July 1983 as the second single from the album Keyed Up. The song was Milsap's twenty-third number one country hit.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The album peaked at No. 59 on the R&B albums chart. It also reached No. 160 on the Billboard 200. The album features the singles "Don't Take Your Love", which peaked at No. 7 on the Hot Soul Singles chart and No. 37 on the Billboard Hot 100, and "Summertime in the City", which reached No. 45 on the Hot Soul Singles chart.
It reached number 10 on the Billboard Hot 100 chart [1] in May 1979 [2] and spent two weeks atop the Billboard Adult Contemporary chart. [3] John Ford Coley was quoted as saying: "Of all the songs we released as singles, that was my favorite. The song first of all had a classical base, and the middle had a gospel section which I loved." [3]